MOMENTS OF REFLECTION
JUNE 16 – JULY 16 2024
UNCHARTED TERRITORIES OF IMAGINATION
APRIL 22 – MAY 26 2024
SMALL WORKS
MAY 10 – JUNE 10 2024
SUSTAINABLE PHOTOGRAPHY
APRIL 5 – MAY 5 2024
ALCHEMICAL
MARCH 1 – MARCH 31 2024
STATE OF THE EARTH – STATE OF THE EMERGENCY
SEPTEMBER 2023
THIS IS BOSTON
JUNE 6 – AUGUST 18 2023
7 THE EXHIBITION
APRIL 24 – MAY 27 2023
HOMAGE TO JAMES RUSSELL
FEBRUARY 20 – APRIL 20
BLANKA DVORAK
FEBRUARY 3 – APRIL 14
UNDERLINE
JANUARY 6 – JANUARY 31
DIGITAL SOUP END OF YEAR EVENT
DECEMBER 17 – DECEMBER 30
YESTERDAY, TODAY, AND TOMORROW
NOVEMBER 19 – DECEMBER 26 2022
WHO-MORE-IS-ME HUMORISMS
SEPTEMBER 2022
OPEN-SPACE(S)
SEPTEMBER 19 – OCTOBER 22 2022
WHY I WRITE. WHY I CREATE.
JULY 13 – AUGUST 31 2022
RESISTER, DISRUPTER, VISIONARY
JULY 13 – AUGUST 31 2022
DEPRESSION AND PSYCHEDELICS
MAY 8 – JUNE 30 2022
THE INFINITE MIRAGE OF RAPTURE
MAY 1 – MAY 31 2022
BOBSTRACT ART
FEBRUARY – MARCH 2022
MIDWAY COLLECTION – 2021/22
NOVEMBER 22 2021 – JANUARY 20 2022
GLOBAL CLIMATIC COLLAPSE NIGHTMARE
SEPTEMBER 15 2021 – NOVEMBER 15 2021
BEDSHEET MITIGATIONS
JULY – AUGUST 2021
THE NEXUS COLLECTIVE EXHIBITION
MAY 2021
PHLASH
MILAN KOHOUT “POLITICAL CORRECTNESS FOR SALE”
MORE THAN A DOCKET NUMBER – STILL LIFE
CLEEK GOLD
HYDRA EFFECT
OUTLAYER & OUTLOUD
OPEN STUDIOS
OCTOBER 2016
YOU THINK IT’S ____, BUT IT’S REALLY ____.
AUGUST 2016
WENTWORTH INDUSTRIAL DESIGN
JULY 2016
COMMON BOSTON
JUNE 2016
LINES OF SIGHT
MAY/JUNE 2016
BEHOLD – THE ART OF ADORNMENT
MAY 2016
EYE OF THE BEHOLDER
APRIL 2016